Friday, March 31, 2017

The Pervasive (and Vitally Important) Nature of Language Today

Language has a problem...and it is us.

I don't think I'm being hyperbolic when I say that we've not only butchered language in many ways (Twitter and text speak, anyone?), but we've also gotten very, very good at layering words and phrases to have multiple meanings.

Practicing linguists probably find this evolution interesting, and in its own right, it absolutely is at the purely academic level. But once we dive headlong into the ramifications of where language seems to be heading, it stops being academic and starts being indicative of something else, something far less pure. Every culture has its own subculture(s) of language evolving up and out into thousands of nuanced levels of slang. In medicine, politics, even just the most basic of corporate offices, language is used to both simplify complex conversations and communicate without being offensive (usually).

But what I want to focus on is the use of language throughout the current electorate. We now have an election process that lasts for an ungodly long 18 months (if not longer, in some cases). Throughout the course of this time frame, we the people are bombarded with campaign slogans and what used to be elevated trash-talking. This last election cycle may have been the worst on record, purely from an outside perspective. .

We were already at odds with each other politically through much of the social media world. I didn't think it was possible for the fever-pitch to achieve its own fever-pitch, but here we are in what can only be described as one of the most divisive times in American history (maybe world history as well, but that's for someone far smarter and more globally-minded than I to decipher).

There was a mass of unfriendings on Facebook during this last election; those on the right unfriended those on the left and those on the left unfriended those on the right. Every day, I witnessed new examples of it popping up in my news feed. I didn't understand why. I understand better now, though I disagree with the response.

I enjoy a good political discourse. Anyone who holds a different opinion than I do always has the opportunity to change my mind based on a few things: the argument/discussion is civil, there are clear, untarnished FACTS being presented, and we're still able to remain friends if the discussion ends in a stalemate where one of us has not convinced the other of our position. Evidence of these three things in most of the public debates I've seen is seriously lacking. In many ways, we can blame the anonymity of the internet (in regards to the comments sections of most news articles). But with Facebook, unless the discussion is completely public, we tend to know the people involved in the conversation.

There's the old saying by Edward Bulwer-Lytton goes "the pen is mightier than the sword." In its original context, the phrase was meant to be empowering, meaning that communication (or the power of an independent press) is a more effective tool than violence. Taken out of context, one could also say that "words cut deeper than any blade is able," and we're getting very, very good at using language as a weapon rather than as a salve.

More often than not, I've seen the political arguments devolve into baseless, presumptive name calling. Part of this is obvious frustration at one party's denial of irrefutable evidence that their position (often also their opinion) is incorrect. Other times, this devolution is based purely in cognitive bias; we believe what we believe and screw you for believing differently.

I'd love to say that I'm some bastion of the unbiased life. I am not. I have, early on, fallen prey to using language as a weapon. Whether aimed at a former lover or at someone who disagreed with me politically, the words acted in much the same manner and garnered the exact same ineffective result, only serving to make me look like a total asshole...which is exactly what I was in those moments.

The current president does us no favors in many ways. And full disclosure: I didn't vote for him, but I hope I'm treating all of this with as much neutrality as possible. Not only do most of his off-the-cuff comments lack a great deal of nuance, the lack of complexity in his language does very little to keep the elevated status of the White House.

Throughout the campaign, we saw and heard things at a linguistic level that essentially made him sound like every trolling Youtube commenter. The way he spoke about women, the way he treated the other candidates that shared stage time with him, and the repetition of zero-calorie phrases (tremendous, the best, are all fairly indicative of where we're at right now. Language no longer seems to mean anything.

There's the pervasive idea that politicians lie, and they do, so we as an electorate expect it. But when the lies are so obvious, then proven wrong, then double-down upon by the people in power, this is an immense problem in need of fixing. When the facts disprove your claim, you should be humble (and intelligent) enough to know when to apologize or retract your previous claim. If these continual lies are unintentional, they can be forgiven. If they are intentional, meant to divide and conquer further, then that is absolutely unforgivable. Using language in bad faith does no one any good save for the speaker.

We can certainly branch off into the unfortunate nature of news as a business model, but the way headlines in periodicals of all political stripes have become hyperbolic (and quite frankly, ridiculous) also does us no favors. They appeal to our deepest, but most easily accessible, biases. Are there some news outlets that favor one party over another? Certainly. Does every news outlet have a political bias? I'd argue no. I believe that mostly comes down to the individual except in cases of obvious political leanings on the part of the organization (Huffington Post, Fox News, etc.).

But here we are, wondering why we can't talk to each other while all the evidence is right there staring us in the face every day. We don't seem to care about language unless it does something inherently beneficial on our behalf. We need to break ourselves of this. We continue to use language as a weapon and we keep sharpening the blades like we're preparing for war when we should be preparing for deep, in-depth discussion instead.

There are plenty of instances I could continue to point to that show just how far down the rabbit hole we're going in terms of language being abused rather than being used to its full potential in better, more meaningful ways. And lord knows I'm constantly trying to be better about that myself, though I falter the way a normal person does. But I've also kept all the people I disagree with in my Facebook news feed. I find it more interesting to see their opinions, to engage them when I'm in the mood for a political conversation. I have no problems with changing my mind; having an opinion flipped on its head due to facts is how it's supposed to work. Your opinions aren't supposed to be set in stone, especially when there's evidence to the contrary.

But we should all be doing a better job of preserving and using language in better, less self-serving ways.


Friday, March 10, 2017

New Writings, New DJ Mixes

February was crazy busy.

With all the trappings that come with getting promoted also came a lack of anyone being hired to replace me in my old position and it seems like we got hit with twice the work. I've had quite a few 60-hour weeks just trying to help us get caught up. It's been exhausting, but a good learning experience as well. I went from *maybe* 5 emails from writers a day to about 40 from writers, higher-ups, and outside contacts.

A lot of office fires have been put out since my last post almost a month ago.

Sales of "Scaring the Stars into Submission" have....let's say, dwindled. It's not surprising, but it's mildly disappointing. There was a 10-day stretch where nothing shipped. That was rough, especially since I bought ads hyping the book to show on three sites: Goodreads, Facebook, and Instagram.

I started with the Facebook ad. Figured it would reach the most amount of people, and it did. But I found that the most action came from the Instagram ad. Something like 15,000 people physically interacted with the ad (liked it), while only about 400 of them actually clicked the link to check out the book. There was zero bump in sales.

So I moved over to Goodreads, a place full of nothing but readers and authors. To date, 45,232 people have seen the ad; 17 have clicked on it. Maybe 2 or 3 people have added it to their reading queue. No idea if they've bought a copy or not.

But as of right now, 177 copies of the book have sold since it's debut on New Year's Eve; 8 kindle copies and 169 paperbacks. That's a pretty damn good number two months out considering I don't have the backing of a publishing house or anyone else to really help me hype the book in other markets. Response to it, thus far, has been overwhelmingly positive, which is great considering how strange a book it will be for most people.

And honestly, I'm just really happy it's out there. I hope it gets a small cult-ish following of rabid fans ready for the next collection (which is done, but won't be released until the end of the year or early next year).

In the meantime, as I wait for the foreword and cover art to be completed for "The Machinery of the Heart: Love Stories," I've been working on a few new pieces for the third collection. At the moment, it's tentatively titled "Trying to Prepare for a Life I'll Never Have." Where TMotH:LS ventures into more realism in most of the stories, I'm actively trying to bring out the weirdness that made StSiS such a fascinating read, both as a writer and as a reader.

After all, if I'm not excited about what I'm putting on the page, why should the readers get excited? If there's no passion there, people can tell. In writing, in cooking, in art - people know when something's been done half-assed. It's often easy to tell.

Currently, I have 22 stories in various states of completion for TtPfaLINH. I'm most excited about the ones that have come quickly and decisively, the ones that actively tried to claw their way out of my brain onto the page.

"Dust" - The story of a woman who has lost interest in her marriage, but finds a kind of exhilaration every Tuesday when she cleans her house from top to bottom in a very unconventional way.

"The Museum of Mirrors and the (Mostly) Dead" - I started this one a week before reading Millhauser's story "Miracle Polish" and decided after that I'd throw in a little homage to his piece. 10 mirrors from different historical points in time are on display in a nondescript museum. Each has a wild story to tell, showing the viewer different things.

"Terroir" - The story of a man's morning ritual being turned on its head while he recounts the way in which he ended up in his current situation. This one is very Kafka-esque in a few ways. I'm curious to see how it plays out.

And now, for some music news. I've got a few gigs coming up in the next few months, so I've been trying to put out new mixes again post-back surgery. Sometimes a mix just doesn't want to be made, which sucks, but then other times a mix HAS to be made and comes out far better than you originally expected. Below are two of my latest mixes along with links to where you can hear them over at Mixcloud.

Upcoming Gigs: 

Gate 89 @ Niche, Kansas City, MO. - 03.16.17
Selekta & Friends Present: Warehouse Revival, St. Louis, MO. - 04.15.17
Hit Squad Reunion, Topeka, KS. - 04.29.17
Escape in the Beats @ the Kirkwood Lodge, Ozarks, MO. - 05.26-05.29
Wet Hot Electronic Summer @ the Kirkwood Lodge, Ozarks, MO. - 07.21.17
(I've not been booked for this one yet, but I'm hoping it happens. I'll be going regardless.)

New Mixes:
(Click on the title of the mix to head to the streaming site)

19 Tracks
85 Minutes
117 BPM

Guaranteed to shake the junk in your trunk and put a hobble in your wobble.
All eras of caboose juice ready to let loose.

Kashif - Don't Stop My Love
The Temptations - Treat Her Like a Lady
Gino Soccio - Try It Out (Instrumental)
Discotron - Disco Ballin'
First Light - Daybreak
Rockers Review - Walking on Sunshine
Newcleus - Jam On Revenge (The Wikki Wikki Song)
Evelyn Champagne King - Your Personal Touch
Kashif - Stone Love
The Pointer Sisters - Automatic
Dayton - The Sound of Music (Extended Version)
Curtis Hairston - I Want You (All Tonight)
Newtrament - London Bridge is Falling Down
Roger Troutman - West Coast Poplock
Dam-Funk - Boogie Slyde
Delegation - You and I
Midnight Star - Wet My Whistle
Aurra - Such a Feeling
The Detroit Experiment - Think Twice

Jazzy, heavy on the basslines, and plenty of horns.
The soundtrack to the spy movie you never seen,
but maybe the one you wanted to act out.

19 Tracks
75 Minutes
90 BPM

Kool & the Gang - Messenger of Wisdom
Beanfield - Breeze
Rae & Christian - Catch a Rude Awakening
Coffee Shop - If You Got Soul
George Pallikaris - In Search Of...
Alex Cortiz - Afterworld
Ingrid Schroeder - Paint You Blue (Muggs Instrumental Mix)
Guardner - N.Y.C. (Edit)
Air - Modular Mix
David Axelrod - House of Mirrors
Omega One - Body Double
Anitek - Chamomile
Sven Van Hees - Ocean Jive
Towa Tei - Technova (La em Copacaban)
3582 - Early Morning
Alex Cortiz - Room 505
Anitek - Fixation
Menahan Street Band - Karina
Dj Cam Quartet - Tribute to J. Dilla

Things are about to get busier on a personal level, what with gigs, this new writing momentum, and all the traveling and pool time that comes with summer, but hopefully I'll have more to update with soon.


Thursday, February 16, 2017

Rachel Nagelberg's Debut Novel "The Fifth Wall"

The Fifth Wall
Rachel Nagelberg

(Black Sparrow Press, 176pgs)
Available for Pre-Order and Released on May 15th

There are horror stories that come out of MFA programs, stories that talk of unscrupulous and catty authors-to-be. That was, as I've said before, not a thing I experienced during my time at the University of San Francisco. My philosophy has always been "support other writers" since not one of us will ever know how our books will sell, if they'll sell, or how they'll be critiqued by readers. It makes zero sense to *not* lift up the other writers around us and wish for their success.

So when a former classmate puts out a book, I like to do my best to help hype their work since we are often relegated to hyping our books on our own. An extra voice is always good and welcomed and I am always stoked to be able to help out my former classmates and friends.

I didn't have any classes with Rachel during my time at USF, so I never had a chance to read her work in class, but we interacted often and I know a little about what and who she reads, so I have a decent take on her literary aesthetic. I would be lying if I said I was not super excited to dig into her debut novel immediately.

You can read an excerpt at 3AM Magazine: 

Another excerpt should be forthcoming from The Brooklyn Rail. 

She currently has two readings scheduled to promote the book: 

Tuesday, May 16th w/Stephen Beachy @ Skylight Books in Los Angeles
Thursday, May 18th w/TBD @ The Booksmith in San Francisco

About the Book

"In this debut novel by Rachel Nagelberg, conceptual artist Sheila B. Ackerman heeds a mysterious urge to return to her estranged family home and arrives at the exact moment of her mother’s suicide. In an attempt to cope with and understand her own self destructive tendencies, Sheila plants a camera on the lawn outside the house to film 24/7 while workers deconstruct the physical object that encases so many of her memories. Meanwhile, as she begins to experience frequent blackouts, she finds herself hunting a robot drone through the San Francisco MOMA with a baseball bat, part of a provocative, technological show, The Last Art, and resuming a violent affair with her college professor. With a backdrop of post-9/11 San Francisco, Sheila navigates the social-media-obsessed, draught-ridden landscape of her life, exploring the frail line between the human impulse to control everything that takes place around us and the futility of excessive effort to do so. The Fifth Wall allows readers to explore from a safe distance the recesses of their own minds, leaving the haunting feeling of depths that yet remain unknown."


"Set into motion by an inexplicable, traumatic and violent real-life event, Rachel Nagelberg’s 
brilliant first novel begins at the limits of contemporary art, as it attempts to reflect the 
ungraspable present.  Born in 1984 into a familiarly frayed American family, her protagonist Sheila B. Ackerman, a former art student, is neither especially likable or unlikeable: that is, she’s incredibly real.  A close artistic cousin to Joni Murphy’s Double Teenage and Natasha Stagg’s Surveys, The Fifth Wall is a new kind of novel.  Female and philosophical, emotion flows through the book across a dense and familiarly incomprehensible web of information, from satellite selfies to awkward sex to internet beheadings and shamanic tourism in the third world. Nagelberg's engrossing narration is littered with stunning perception: We look into the distance to be able to see what’s right in front of us. She writes without affect, and with unselfconscious acuity. That is, she writes really well."  

– Chris Kraus, 
author of I Love Dick

"Nagelberg has a true gift, able to write gorgeously on the line level with unctuous images. And simultaneously, there's a readable page-turner here. Most of us are lucky to do one of those, which is a testament to the singular talent.  This book cascades beauty and meaning and truth."

– Joshua Mohr, 
author of All This Life and Termite Parade, a New York Times Editor’s Choice pick

"The Fifth Wall crackles with braininess and sex. It's hallucinatory and interactive and funny and sad and it has something incandescent to show you." 

– Stephen Beachy, 
author of The Whistling Song and Distortion, and professor at the University of San Francisco

About the Author

Rachel Nagelberg is an American novelist, 
and conceptual artist living in Los Angeles. 

The Fifth Wall is her debut novel. 


Thursday, February 2, 2017

Brain Swapping

With the publication of my short story collection "Scaring the Stars into Submission" (which you can buy HERE), I've found myself in a hyper-creative state of mind. I've shuttered myself up in my apartment the last two weekends to do editing and revising on two more literary projects: "Rise," a magical realism novel about a two year flood that drowns a large part of a tropical countryside, and "The Machinery of the Heart: Love Stories," a collection that's been completed for awhile now, but won't be released until later this year.

I always knew my thinking changed when I started focusing on writing more than the many extraneous trappings of daily life, but it was never as obvious as this week in a text exchange with my friend Mike. We were discussing weekend plans and I told him that I had fully planned on staying in to focus, that I wanted zero distractions all weekend. He said he understood and that it sounded like I had a plan as far as productivity over the course of the next three years goes. To which I responded "No plan means huge gaps between releases. Sometimes you gotta drown in the silence to hear the whispers of the fiction.

He laughed and said he could tell I was writing again solely from my syntax.

And he was right. I once wrote about disconnecting (from technology) in an effort to allow your brain room to breathe (you can read that HERE). It's essential for the creative mind to often forget about the projects, whether it's painting or writing or music. Stepping away is a good thing. It often allows new inspiration to bubble up in the back of your least it does for me.

I spent most of 2016 simply reconnecting with friends and trying to go out and do more up until I threw out my back. Even then, I had several friends keep me company many of those nights as I struggled with pain management and eventually surgery. It was a good year to really step back from the writing and focus on the important things. The life/work/creative life balance can be a hard one to achieve.

And I think I've finally found it. I recently got promoted at work to the Senior Content Editor position. There's still editing to do, but the majority of my work is administrative in nature. Payroll, hiring and firing, etc. This allows me to do more editing and revising of my own work once I get home. The more work done during the week means more time to spend with friends on the weekend. We're not quite there yet, but we're closer.

But I digress. Making a conscious effort to slip back into full on writing has certainly changed the way I approach everything else. I say things with more thought behind them. I leave my phone in the bedroom while I write on the floor of my living room, preventing myself from checking it every five minutes (which is completely unnecessary). Time slows down and I become more productive. Last weekend I edited 17 of the 18 stories in "The Machinery of the Heart" and it's nearly 400 pages long at the moment. Currently, every edited piece is perfectly formatted and ready to be published by Amazon.

Rereading through all those stories has brought up other ideas and notions worth exploring in future stories, many of which I hope will find their way into the third collection currently titled "Trying to Prepare for a Life I'll Never Have." That same Mike said that phrase as we spoke about past relationships and I was hit by the weightiness of all the narrative possibilities found in that single statement. It encapsulates so much in just nine simple words.

So for now, I've swapped out the social brain for the creative brain. I always like to feel that I'm moving forward, that there is some personal goal I'm approaching. If I feel like I'm stagnating, I become frustrated. There is always something else out there to be gained when one exercises the discipline to make it happen.

I put out my first book. I sold 146 copies in the first month and I couldn't be more thrilled about that. People seem to be enjoying it. I also got promoted at work, which is the first time that's happened since working at a pizza joint in high school some 20+ years ago. These are the things that keep me moving forward, that keep me pushing myself to do better and to be better. Sometimes brain swapping is necessary in order to make sure you get what you want out of life...just make sure you're putting plenty back into it.


Monday, January 9, 2017

The Struggle of Independently Publishing Your Book

Regular readers will know that I released a short story collection 10 days ago through the Amazon/Kindle Direct Publishing site. Should you wish to buy a copy, you can find all the requisite information at this link here.

It has, understandably, not been without its workflow hurdles. And if you're thinking about releasing a work of your own through Amazon, you'll find some good notes below on how to approach it all.

The last story I included in the collection, "Marina, Patina, Corona," was finished in July of 2015 before I moved back to Kansas City. Otherwise, all the stories in the collection were written right after I finished grad school in December of 2011 all the way through 2013. It was a fun project which forced me to keep writing, even if the format (the short story) had not been one that I really studied or focused on during my grad school days.

Compiling the collection was easy; many of the stories felt connected in some way, so placing them in a particular order in the book itself wasn't difficult. I had no skill in creating cover art, but as a reader, I knew that the cover was muy importante and needed to convey a similar aesthetic feeling to that found within its pages.

As I'm the type to try to spread the artistic love around, I enlisted the help of my old and dear friend Rob. An artist (and DJ) himself, I thought he'd be a solid candidate for the job. We'd played many gigs together and had a lot of late nights playing records in basements and clubs around town, but we hadn't done anything non-musical together before and I wanted to see what his brain could come up with based on a few stories I emailed him and a few things that I was looking for. I was not disappointed with the final version of his creation.

Once Rob had a general idea of what I was looking for, he set to work. Meanwhile, I tried to make sure all my pages were formatted correctly, paginated right, and the table of contents matched up to everything just so. It would not be a stretch to say that I completely revamped the formatting of this book at least 20 times before we finally nailed it.


I chose a standard 6x9 book through the KDP site. It's a good size without being too strange or too bulky in any direction. When saving your Word documents to upload to the Amazon site, ALWAYS make sure you change the size of your Word docs to fit the size of your book. Amazon does NOT alter that for you...though they have plenty of for-pay services that will do all this for you; pass on that. You'll be glad you did.

You can change the size of your documents in Word by choosing "Layout" in the top menu bar, then clicking on "Size," and then choosing "More Paper Sizes" at the bottom of the drop-down menu to input 6.00 x 9.00. SUPER easy, but if you have strange formatting like I did, you'll definitely want to spot check every line to make sure the layout looks the way you want it to. Actually, you'll just want to do that with everything throughout the process. Again, it's a slog, but way worth the work you put into it.

I set my margins on each document to be 1" on all sides. It looks like a lot of white space through the previewer on the site, but I can assure you it will be fine when it all prints out. My book could not have come out more perfect in regards to the text and its placement.

For the actual font, I chose a 12-pt Garamond. It's both classy and stylish without being overly one or the other. Plus it's just super easy to read for most people. Win/win.

Because I did not have the ability to combine all my Word docs into a single PDF (though I've figured out how to do so now through other avenues), Rob helped me achieve that as well. It's important to note here that you'll have plenty of blank pages at the beginning of your book. I should've included about three more and really thought harder about the layout, but I'm still very happy with the final product.

A good rule of thumb when turning your text all into one large document: two blank pages, your title page, your info page (ISBN number, rights reserved, copyright, etc), two more blank pages, then your table of contents. It can be hard to wrap the brain around the formatting of a book when looking at single documents in Word.

When you finish with the text of one page in this first section (and you plan on adding more pages), go to the end of your chosen text, click "Insert" in the menu bar, choose "Page Break," and then begin adding the text for the next page. Repeat the process as needed. This will provide clean pages that translate well through the upload and review process.

Because I had a story collection, pagination was difficult to get done right. There was a foreword included by my dear friend Surya at the beginning (page numbers were in lower case Roman Numerals) and then the collection came after. Had I been thinking more clearly, I would've made sure that the title of each story, while on its own singular page, fell on the left side of the book rather than fell on whatever side came next. This is a style issue and a personal preference for me, however. With enough playing around, you'll figure out what works for you.

I put the acknowledgments/dedications at the back of the book. Some people put these at the front. Again, this is up to you. After that, the author bio. I should've added maybe two or three blank pages after that.

Once you've got your documents paginated and combined correctly, you *should* be able to upload the entire document to the paperback option on the KDP site. It won't spellcheck your document for you, so make sure you've already done that and everything's solid on that end. If there are any conflicting issues with the sizing of your cover art and the size of your document, the KDP site will let you know. If no conflicts arise, then you're off to set pricing on your book!

I honestly reformatted this book some 20 or 30 times. Different fonts, different font sizes, different margins...everything. Don't get beaten down by the amount of work you have to do on the front end. If you want it all to look right the first time, spend the extra couple hours making sure. Your readers will thank you and you'll be less likely to beat yourself up later for having not taken those extra steps in the beginning.


Luckily, formatting your pages is a bit easier (I think). You don't need page numbers and you don't need to worry about margins. If you have titles in different parts of the book that tie back directly to your table of contents, you should do this for every title in your document: highlight the title within the text (not the one in the table of contents). Choose "Heading 2" in the right side of the formatting menu in Word and biggity bam. This should allow e-readers to simply click on that particular title in the table of contents and jump them right there. 

After each separate section/chapter, go to the end of your chosen text, click "Insert" in the menu bar, choose "Page Break," and then begin adding the text for the next page. Repeat the process as needed. This will provide clean pages that translate well through the upload and review process. 

Remove indentations. Read that again and make sure you understand. Paragraphs that start with indentations are going to translate funny in the digital readers. Just remove them all to eliminate that headache. It looks funny on the page, but it will look fantastically streamlined in the digital format. 

Once you've got your entire single document ready to upload to the Kindle option on the KDP site, save it as a Rich Text Format file. You can do this in Word by clicking "File," then "Save As," then choose "Rich Text Format" from the drop down menu provided beneath the file name of your document. Whereas it took me several times to upload a proper document to the paperback side of things, I only had to do the Kindle side of things once and it all came out looking pretty great. 

It should go without saying that you should check EVERY page of your manuscript through every step of this process. Technology ain't perfect and neither are you, so double, triple, and quadruple check everything EVERY step of the way. If you put out an imperfect product, you'll hate yourself for not spending the extra hour or two doing this. It will genuinely eat you alive from the inside out and it will definitely disappoint your readers. If you can't be bothered to make sure your book looks right, how can a reader be sure your actual book is worth reading? 

And now...there are tons of digital markets out there, so you don't need to start with Amazon/KDP or CreateSpace, but there are certainly some benefits to doing so. I imagine if I had started with CreateSpace first, I'd be a little happier, but I'm not sure. What I do know is this: after 5 days, Amazon started discounting my book from $15.00 down to $12.00. I wasn't notified about this. After contacting them, I was told they could offer discounts if they wanted, but if the price needed to change, then I needed to go through my distributor or publisher to make those changes. Frustrating, as that put a damper on my profits (after printing costs and Amazon's take). So, that's something to keep in mind.

Otherwise, I'd say the whole process has been (thus far) pretty easy. If you don't know how to hustle your own book to people, you may want to do some research on that months before you ever plan on releasing it. Social media is a good way to get people interested, but you're more likely to have friends and family already in place ready to support your writing habit. If not, you're going to have a very tough time getting people to find and read your book in a sea of books that already drowns the reading public.

As always, your best bet is to simply write something people have not read before, something that doesn't feel or read like anything else, something that makes you stand out as an author people should start paying attention to.


Saturday, December 31, 2016

"Scaring the Stars into Submission" - NOW ON SALE!

"Scaring the Stars into Submission" 
by Adam "Bucho" Rodenberger

16 stories across 354pgs

A blend of science fiction, magical realism, and dark surrealism spread out across a dystopian landscape. 

$9.99 for the Kindle/E-Reader Version
$15.00 for the Paperback Version

Available for Purchase Here - Kindle/E-Reader

Available for Purchase Here - Paperback

A great, unnamed event. A world both drowning and engulfed in flames.
Autopsies reveal gardens of lilies sprouting up inside the rib cages of the dead.
Clouds fall to the earth and affect the behavior of those that come in contact with them.
Revolution and violent uprisings spread through nations across the globe.
Twelve blind men in a basement transcribe the history of the world as it burns down around them.
Nightmares become reality; reality becomes nightmare.
Families turn to reluctant cannibalism in the hopes of waiting out the horrors beyond.
Corporations push to create a new population to replace the old one.
Philosophical musings from a balcony overlooking a dark, empty city.
A brief moment of something good between lovers as the world begins to slowly recover.

These are the stories before the event.
These are the stories during the event.
These are the stories after the event.
These are the stories of people coping and surviving, fighting to live, or fighting just to be doing something, anything.

The stories in this collection are brief moments, tiny pockets of surreal happenstance, but pure emotion. Each piece ties into the next by the tiniest filament, each story connected to the one before and the one after, each trying to hold on to some bit of normalcy, but failing in spectacular and terrifying ways.

“Maybe we had reached a point where we were forcing ourselves to believe in something better, something different than what this current reality was spoon-feeding us on a daily basis. The psyche can’t cope with such bleak surroundings for long. Something inside breaks, either for good or ill, but it breaks regardless. Maybe we were just tired of being broken and didn’t know how to go about fixing ourselves.”


Friday, December 30, 2016

Today We Made a Book; Tomorrow We Try to Convince People to Read It

I graduated from the University of San Francisco in December of 2011. Over the course of three summer semesters, two fall semesters, and two spring semesters, I had completed a single novel ("Impasto"), half completed another ("Rise") and completed most of a four-part novella (currently called "Green Leaf, Brown Leaf"). I would've wasted my time had I not left the program with tons of material to work with upon graduating.

Ironically, it was none of these projects I returned to immediately after graduation. I had a wealth of seemingly disconnected pieces of flash fiction, the longest measuring *maybe* 4 pages. I knew I had to keep producing new work post-grad school, but realized a full on novel was a lot of work for where my head was at then. Instead, I tried to see if any of these flash fiction pieces were worth expanding and fleshing out, worth completing to find the end of the story.

For months, I remained on my strange sleep schedule; go to bed at 7pm, wake up at 2am, have a smoke outside my building in the black San Francisco night, and type out whatever ideas came to me on my phone. The fruits of that labor are now available in a single collection called "Scaring the Stars into Submission," which is now up for sale on Amazon in hard copy. Digital copies will be made available soon; their formatting is significantly different from that of their hard copy brethren.

From February 6th, 2012 to September 1st, 2014, I spent every writing moment focused almost entirely on completing this collection. "Marina, Patina, Corona" was the last story to be completed while "Firebug for Hire" was the first. There was often no rhyme or reason to which story was completed when, only that sometimes one felt more ready to be written over the others.

What I did not expect was the stories left untold in the pages I had yet written. I flat out love this collection. At the time, I was reading a lot of Blake Butler, Ben Marcus, and Matt Bell, all of whom do fantastic work linguistically in some very strange narrative situations and settings. These authors were my base and had a great influence over me. Their books "Scorch Atlas," "The Flame Alphabet," and "How They Were Found" (respectively) have been read over and over again because they are just that good. They are also just that engaging in subject matter for me.

I did not want to self-publish. I had read entirely too many excerpts of books that were poorly edited, poorly written, or both. This tainted my ideas of the nature of self-publishing through Amazon. Publishing houses and editors alike had no interest in publishing the collection as a whole, so I finally decided this summer (2016) to do it myself.

I cannot explain to you how vital my friend Rob Romine was in the final stages of the process. I've known Rob nearly the entire 16 years that I've been a DJ. He worked at one of the record stores I would often frequent on the weekends and, eventually (with mutual friend RJ Bass), asked me to join them in their Sunday night downtempo/trip hop residency in the Martini Corner part of Kansas City. I've made mixes in his basement, partied with him long into the night, and gotten to make some fun music with him over the years. But having his patience and his technical skills in handling this cover art and making sure the page formats were up to snuff has been invaluable through this entire process. There was scotch a-flowin' once we realized we'd gotten both the manuscript and the cover art perfected and accepted. Especially considering how much we volleyed back and forth with ideas, whether on cover art or simply trying to get the right formatting on the page to fit the templates through the Amazon site. Today alone, I spent no fewer than 8 hours on preparation for this. A lot of good lessons learned, a lot of mistakes that won't get repeated again so the process goes smoother next time.

There is also an incredibly beautiful foreword by my good friend and brother-from-another-mother Surya K Kalsi at the beginning of the collection. We went through literary boot camp together and we could not be more different in our personal aesthetics, but we are both very, very serious when it comes to the craft. He keeps a blog called Headers, Margins, and Footnotes that is always worth reading. He also has a book out, published by Little Feather Books that can be bought HERE or HERE. It is an unbelievably, beautifully written book that's easy to get lost in for several hours at a time.

For now, my book remains "In Review" on the Amazon site. It's also currently only available in paperback since digital copies require a more stringent and particular formatting (which I'll be doing this week). So don't worry, a digital copy is coming soon for those of you that love the e-readers.

Once the link goes live on Amazon for the paperback copy, I'll create another post. Until then, you'll have to wait the same way I do for this link to be available. I hope people enjoy reading it as much as I enjoyed writing it. I know it's WAY the hell outside of the average reader's wheelhouse; it's far too strange in places for most. But I honestly think the heart is there. I think there is some very solid storytelling happening in several of these stories and I could not be happier with the finished product.

It's looking to be a solid start to 2017.

And speaking of 2017, a little memory popped up on my Facebook news feed today about the number of places I submitted to over the years. The post is worth repeating here: 

"2012: submitted stories to 15 places.
2013: submitted stories to 148 places. 
2014: submitted stories to 237 places. 
2015: submitted stories to 262 places. 
2016: submitted stories to 116 places 
and released a full short story collection. 

Hustle harder. Do more with your time. It gets easier the longer you do it." 

And it's true, it *does* get easier the longer you do it. I've already got a second collection of stories ready to go, but which I'll be sitting on for most of 2017 while I work on a third collection and one of my novels-in-progress. I'm not a fan of floating in place; if there's no forward momentum happening in my life, I feel like I'm simply wasting it. Keep your eyes and ears peeled for more literary news on my end as it comes. 

Quit wasting your talents. Grab the bull by the horns, gather up your supplies, and go create the hell out of something for people to enjoy. You'll be glad you did.