Showing posts with label Novel Excerpts. Show all posts
Showing posts with label Novel Excerpts. Show all posts

Friday, March 10, 2017

New Writings, New DJ Mixes



February was crazy busy.

With all the trappings that come with getting promoted also came a lack of anyone being hired to replace me in my old position and it seems like we got hit with twice the work. I've had quite a few 60-hour weeks just trying to help us get caught up. It's been exhausting, but a good learning experience as well. I went from *maybe* 5 emails from writers a day to about 40 from writers, higher-ups, and outside contacts.

A lot of office fires have been put out since my last post almost a month ago.

Sales of "Scaring the Stars into Submission" have....let's say, dwindled. It's not surprising, but it's mildly disappointing. There was a 10-day stretch where nothing shipped. That was rough, especially since I bought ads hyping the book to show on three sites: Goodreads, Facebook, and Instagram.



I started with the Facebook ad. Figured it would reach the most amount of people, and it did. But I found that the most action came from the Instagram ad. Something like 15,000 people physically interacted with the ad (liked it), while only about 400 of them actually clicked the link to check out the book. There was zero bump in sales.

So I moved over to Goodreads, a place full of nothing but readers and authors. To date, 45,232 people have seen the ad; 17 have clicked on it. Maybe 2 or 3 people have added it to their reading queue. No idea if they've bought a copy or not.

But as of right now, 177 copies of the book have sold since it's debut on New Year's Eve; 8 kindle copies and 169 paperbacks. That's a pretty damn good number two months out considering I don't have the backing of a publishing house or anyone else to really help me hype the book in other markets. Response to it, thus far, has been overwhelmingly positive, which is great considering how strange a book it will be for most people.

And honestly, I'm just really happy it's out there. I hope it gets a small cult-ish following of rabid fans ready for the next collection (which is done, but won't be released until the end of the year or early next year).

In the meantime, as I wait for the foreword and cover art to be completed for "The Machinery of the Heart: Love Stories," I've been working on a few new pieces for the third collection. At the moment, it's tentatively titled "Trying to Prepare for a Life I'll Never Have." Where TMotH:LS ventures into more realism in most of the stories, I'm actively trying to bring out the weirdness that made StSiS such a fascinating read, both as a writer and as a reader.

After all, if I'm not excited about what I'm putting on the page, why should the readers get excited? If there's no passion there, people can tell. In writing, in cooking, in art - people know when something's been done half-assed. It's often easy to tell.



Currently, I have 22 stories in various states of completion for TtPfaLINH. I'm most excited about the ones that have come quickly and decisively, the ones that actively tried to claw their way out of my brain onto the page.

"Dust" - The story of a woman who has lost interest in her marriage, but finds a kind of exhilaration every Tuesday when she cleans her house from top to bottom in a very unconventional way.

"The Museum of Mirrors and the (Mostly) Dead" - I started this one a week before reading Millhauser's story "Miracle Polish" and decided after that I'd throw in a little homage to his piece. 10 mirrors from different historical points in time are on display in a nondescript museum. Each has a wild story to tell, showing the viewer different things.

"Terroir" - The story of a man's morning ritual being turned on its head while he recounts the way in which he ended up in his current situation. This one is very Kafka-esque in a few ways. I'm curious to see how it plays out.




And now, for some music news. I've got a few gigs coming up in the next few months, so I've been trying to put out new mixes again post-back surgery. Sometimes a mix just doesn't want to be made, which sucks, but then other times a mix HAS to be made and comes out far better than you originally expected. Below are two of my latest mixes along with links to where you can hear them over at Mixcloud.

Upcoming Gigs: 

Gate 89 @ Niche, Kansas City, MO. - 03.16.17
Selekta & Friends Present: Warehouse Revival, St. Louis, MO. - 04.15.17
Hit Squad Reunion, Topeka, KS. - 04.29.17
Escape in the Beats @ the Kirkwood Lodge, Ozarks, MO. - 05.26-05.29
Wet Hot Electronic Summer @ the Kirkwood Lodge, Ozarks, MO. - 07.21.17
(I've not been booked for this one yet, but I'm hoping it happens. I'll be going regardless.)



New Mixes:
(Click on the title of the mix to head to the streaming site)



Funk/Electro-Funk
19 Tracks
85 Minutes
117 BPM

Guaranteed to shake the junk in your trunk and put a hobble in your wobble.
All eras of caboose juice ready to let loose.


Kashif - Don't Stop My Love
The Temptations - Treat Her Like a Lady
Gino Soccio - Try It Out (Instrumental)
Discotron - Disco Ballin'
First Light - Daybreak
Rockers Review - Walking on Sunshine
Newcleus - Jam On Revenge (The Wikki Wikki Song)
Evelyn Champagne King - Your Personal Touch
Kashif - Stone Love
The Pointer Sisters - Automatic
Dayton - The Sound of Music (Extended Version)
Curtis Hairston - I Want You (All Tonight)
Newtrament - London Bridge is Falling Down
Roger Troutman - West Coast Poplock
Dam-Funk - Boogie Slyde
Delegation - You and I
Midnight Star - Wet My Whistle
Aurra - Such a Feeling
The Detroit Experiment - Think Twice






Jazzy, heavy on the basslines, and plenty of horns.
The soundtrack to the spy movie you never seen,
but maybe the one you wanted to act out.

19 Tracks
75 Minutes
90 BPM


Kool & the Gang - Messenger of Wisdom
Beanfield - Breeze
Rae & Christian - Catch a Rude Awakening
Coffee Shop - If You Got Soul
George Pallikaris - In Search Of...
Alex Cortiz - Afterworld
Ingrid Schroeder - Paint You Blue (Muggs Instrumental Mix)
Guardner - N.Y.C. (Edit)
Air - Modular Mix
David Axelrod - House of Mirrors
Omega One - Body Double
Anitek - Chamomile
Sven Van Hees - Ocean Jive
Towa Tei - Technova (La em Copacaban)
3582 - Early Morning
Alex Cortiz - Room 505
Anitek - Fixation
Menahan Street Band - Karina
Dj Cam Quartet - Tribute to J. Dilla


Things are about to get busier on a personal level, what with gigs, this new writing momentum, and all the traveling and pool time that comes with summer, but hopefully I'll have more to update with soon.



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Thursday, February 16, 2017

Rachel Nagelberg's Debut Novel "The Fifth Wall"


The Fifth Wall
by
Rachel Nagelberg

(Black Sparrow Press, 176pgs)
Available for Pre-Order and Released on May 15th


There are horror stories that come out of MFA programs, stories that talk of unscrupulous and catty authors-to-be. That was, as I've said before, not a thing I experienced during my time at the University of San Francisco. My philosophy has always been "support other writers" since not one of us will ever know how our books will sell, if they'll sell, or how they'll be critiqued by readers. It makes zero sense to *not* lift up the other writers around us and wish for their success.

So when a former classmate puts out a book, I like to do my best to help hype their work since we are often relegated to hyping our books on our own. An extra voice is always good and welcomed and I am always stoked to be able to help out my former classmates and friends.

I didn't have any classes with Rachel during my time at USF, so I never had a chance to read her work in class, but we interacted often and I know a little about what and who she reads, so I have a decent take on her literary aesthetic. I would be lying if I said I was not super excited to dig into her debut novel immediately.

You can read an excerpt at 3AM Magazine: 

Another excerpt should be forthcoming from The Brooklyn Rail. 

She currently has two readings scheduled to promote the book: 

Tuesday, May 16th w/Stephen Beachy @ Skylight Books in Los Angeles
Thursday, May 18th w/TBD @ The Booksmith in San Francisco


About the Book

"In this debut novel by Rachel Nagelberg, conceptual artist Sheila B. Ackerman heeds a mysterious urge to return to her estranged family home and arrives at the exact moment of her mother’s suicide. In an attempt to cope with and understand her own self destructive tendencies, Sheila plants a camera on the lawn outside the house to film 24/7 while workers deconstruct the physical object that encases so many of her memories. Meanwhile, as she begins to experience frequent blackouts, she finds herself hunting a robot drone through the San Francisco MOMA with a baseball bat, part of a provocative, technological show, The Last Art, and resuming a violent affair with her college professor. With a backdrop of post-9/11 San Francisco, Sheila navigates the social-media-obsessed, draught-ridden landscape of her life, exploring the frail line between the human impulse to control everything that takes place around us and the futility of excessive effort to do so. The Fifth Wall allows readers to explore from a safe distance the recesses of their own minds, leaving the haunting feeling of depths that yet remain unknown."



Blurbs

"Set into motion by an inexplicable, traumatic and violent real-life event, Rachel Nagelberg’s 
brilliant first novel begins at the limits of contemporary art, as it attempts to reflect the 
ungraspable present.  Born in 1984 into a familiarly frayed American family, her protagonist Sheila B. Ackerman, a former art student, is neither especially likable or unlikeable: that is, she’s incredibly real.  A close artistic cousin to Joni Murphy’s Double Teenage and Natasha Stagg’s Surveys, The Fifth Wall is a new kind of novel.  Female and philosophical, emotion flows through the book across a dense and familiarly incomprehensible web of information, from satellite selfies to awkward sex to internet beheadings and shamanic tourism in the third world. Nagelberg's engrossing narration is littered with stunning perception: We look into the distance to be able to see what’s right in front of us. She writes without affect, and with unselfconscious acuity. That is, she writes really well."  

– Chris Kraus, 
author of I Love Dick



"Nagelberg has a true gift, able to write gorgeously on the line level with unctuous images. And simultaneously, there's a readable page-turner here. Most of us are lucky to do one of those, which is a testament to the singular talent.  This book cascades beauty and meaning and truth."

– Joshua Mohr, 
author of All This Life and Termite Parade, a New York Times Editor’s Choice pick



"The Fifth Wall crackles with braininess and sex. It's hallucinatory and interactive and funny and sad and it has something incandescent to show you." 

– Stephen Beachy, 
author of The Whistling Song and Distortion, and professor at the University of San Francisco




About the Author


Rachel Nagelberg is an American novelist, 
poet, 
and conceptual artist living in Los Angeles. 

The Fifth Wall is her debut novel. 


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Friday, December 16, 2016

Ki Russell's "The Wolf at the Door"


If done right, your life gets filled with different casts of characters on a pretty regular basis. I've been fortunate to have known some pretty amazing (I think) writers, entertainers, and thinkers. One of those, a writer, I met during my creative writing days at the University of Missouri-Kansas City. Her name was Ki Russell. While we never hung out outside of the classroom, she was always incredibly friendly and her critiques towards other student writings were always fair and never laced with subversive barbs or jabs, even if she didn't particularly like the piece in question.

She put out a book (her third) last year called "The Wolf at the Door," which I was able to read an advanced copy of before it came out through Ars Omnia Press. It is incredibly interesting in that it takes the fairy tales we all know, fractures them, then puts them back together in Picasso-like fashion. Below, you'll find a link where you can purchase the book, a review by Piers Anthony, and a summary of the book itself.

Per usual, yes, I am maybe showing a little nepotism towards former classmates by spreading news of their published works here, but I'm of the mindset that I'd like to see them ALL succeed. Anything less than that kind of thinking is petty and not worth vocalizing or printing.

Summary

"The Wolf at the Door" combines fiction and poetry to present the interrupted narrative of Lana, a contemporary revision of the Little Red Riding Hood figure. Each snippet of Lana’s story weaves her life ever more densely and intimately into the weft of a wider world of fairy tale-inspired figures, against which the protagonist’s story unfolds and through which she discovers who and what she is. Interwoven between the sections of this narrative are poems exploring other fairy tale figures, the perspective of these poems alternating between the contemporary and the timeless time of fairy tales. Baba Yaga appears in her hut in the woods and also as a Kali-figure living among us in the suburbs: devouring, monstrous, sexual, divine. She subsequently appears in the fairy tale tavern where she guides the heroine of the disrupted narrative, who works and interacts with other fairy tale figures traditionally cast as villains. Ultimately, Lana must come to recognize her own identity as both the maiden (Red Riding Hood) and the crone (grandmother) which allows her to draw power from both of these extremes of the female archetype.

Review by Piers Anthony 

I read The Wolf at the Door, by Ki Russell. This is not your usual fantasy. It is set in a pub where fairy tale characters congregate in a neutral setting. I'd have to review a number of fairy tales that I was familiar with when my daughters were children if I wanted to catch all the references, but did recognize the giant from Jack and the Beanstalk, who is trying to recover the harp that Jack stole. Also Little Red Riding hood who now has a fairly familiar association with the Wolf—they sleep together, though I'm not sure there's sex—and dances at the pub. The story, of a sort, is told in snatches, some of which is blank verse. I am intrigued by a blue rose plant that can be affectionate or deadly, and clearly understands those who interact with it. Definitely not a garden variety plant. Also by an old crone who knows more than she tells, and has powers she mostly conceals. Read this for an experience in outlook, rather than for a coherent story. Adult fantasy, not as a euphemism for sex, but in the necessary maturity of perspective.
(The full review can be found HERE.)


Link for Purchase of All of Ki's Books




Ki Russell teaches writing, literature, and creative writing at Blue Mountain Community College in Pendleton, Oregon, where she resides with her husband Timothy and two children, Rook and Ashe. They share space with a cat called Draco and a dog named Dooby Dooby Doo.

She holds a Ph.D. in English literature (Creative Writing emphasis) from the University of Louisiana at Lafayette and an M.A. in English (Creative Writing emphasis) from the University of Missouri-Kansas City.

Medulla Publishing released her chapbook, HOW TO BECOME BABA YAGA, in 2011. Ki also has a full-length poetry collection, THE ANTLER WOMAN RESPONDS, from Paladin Contemporaries in 2014.

Ki researches fairy tales and then butchers them for her own uses. She steals time from grading to wrestle with words, converse with the cat, dance with the dog, and paint. She believes people should laugh more.


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Monday, December 7, 2015

2015 Reading List

This will be my last post for a cool minute for a number of reasons, not that I'm super regular with new content or anything.

This year was bittersweet in so many ways. It began with me getting injured at work. Strained trap, sprained tricep, tendinitis of the bicep, strained rotator cuff capsule, and (after x-rays and an MRI) we found that I'd had chronic tearing of my labrum. For a few months, I could barely wash my own hair in the shower without some serious pain shooting up my back and down my arm. After 6 years of heavy lifting at my job, I was probably due for a serious injury and boy did I get it. The pain has subsided, but still returns on random days. There's no rhyme or reason for its appearance and I've desperately tried to establish the pattern to no avail. It's apparent the pain will not be going away any time soon. This was not a good thing.

What was a good thing was being put on paid medical leave from work for three days a week and not having to lift anything for the other two that I was there training my replacement(s). This afforded my arm and shoulder time to heal (slowly) while also making sure my rent and bills were paid. Once I realized this was going to be a lengthy healing process, I understood that I had been given a gift through the injury: more time to write.

So while this year's reading list is significantly smaller than the last few years, I'm not too embarrassed by it. Especially considering how few books the average person reads in a year (via Pew Research Center: median number of books read by an individual per year is 6 while the average is 15; that's pitiful). I can do better, but with the process of moving back across the country and the amount of really solid writing, submitting, and eventual publishing that got done this year, almost 40 books is still pretty damn good.

What to say about the list this year? Heavy on the Murakami, for sure. After years of putting him off, I finally decided to dive headlong into his work. He is a polarizing author for me, not unlike some of Millhauser's work wherein, I love parts, but feel the author could've tried to step just a little further into the weird without sacrificing the story. Murakami's later stuff is better written by far, however. His early stuff really had me tearing my hair out due to some pretty terrible metaphors and similes, though I wonder how much of that is due to the translation.

The Miss Peregrine's Home for Peculiar Children series ended this year. Pretty great finish, honestly. It'd be nice to see Riggs put out another book involving that world or one just this side of it. Really fun read, conceptually.

Mark Z. Danielewski's latest project hit shelves. I'm still working through Book 1 despite it being listed below. It's a bit of a slog at the moment and hard to latch on to. I hope others are enjoying it more than I am currently, but I'll finish it by the end of the year.

For now, most of my books remain in storage until I move into my apartment in January. Strangely, it's the bookshelves I'm looking forward to filling the most, second only to hanging all the art I've been collecting from friends and friends of friends over the last few years.



2015 Reading:


December

01.) Gilbert Sorrentino - "The Abyss of Human Illusion" (151pgs)
02.) George Orwell - "Animal Farm" (139pgs)
03.) Kurt Vonnegut - "Slaughterhouse-Five" (215pgs)
04.) Haruki Murakami - "The Strange Library" (96pgs)

(601pgs total)


January

05.) Junot Diaz - "This is How You Lose Her" (217pgs)
06.) Roberto Bolano - "The Secret of Evil" (144pgs)
07.) Madeline Roux - "Sanctum" (343pgs)
08.) Ransom Riggs - "Hollow City: The Second Novel of Miss Peregrine's Peculiar Children" (396pgs)
09.) Haruki Murakai - "The Wind-Up Bird Chronicles" (607pgs)

(1,707pgs total)


February

10.) Joe Hill - "Horns" (397pgs)

(397pgs total)


March

11.) Albert Camus - "Exile and the Kingdom" (213pgs)
12.) Dean Koontz - "Odd Thomas" (446pgs)
13.) Ayn Rand - "Anthem" (253pgs)
14.) C.G. Jung - "Modern Man in Search of a Soul" (244pgs)
15.) Nic Pizzolatto - "Galveston" (258pgs)

(1,414pgs total)


April

16.) Phantom Drift, Issue #1 (153pgs)
17.) Phantom Drift, Issue #2 (159pgs)
18.) Phantom Drift, Issue #3 (155pgs)
19.) Phantom Drift, Issue #4 (160pgs)
20.) Thomas Pynchon - "The Crying of Lot 42" (152pgs)

(769pgs total)


May

21.) Horowitz, Derby, & Moffett - "The Silent History" (513pgs)

(513pgs total)


June

22.) SK Kalsi - "The Stove-Junker" (334pgs)
23.) Jean-Patrick Manchette - "The Gunman" (155pgs)
24.) Dia Felix - "Nochita" (242pgs)

(731pgs total)


July

25.) Amelia Gray - "Gutshot" (207pgs)

(207pgs total)


August

26.) Sjon - "The Blue Fox" (115pgs)
27.) Roberto Bolano - "Tres" (175pgs)

(290pgs total)


September

28.) Madeline Roux - "Catacomb" (330pgs)

(330pgs total)


October

29.) Haruki Murakami - "Kafka on the Shore" (480pgs)
30.) Imre Kertesz - "Detective Story (112pgs)
31.) Mark Z. Danielewski - "The Familiar, Book I" (839pgs)
32.) Ransom Riggs - "Library of Souls: The Third Novel of Miss Peregrine's Peculiar Children" (458pgs)
33.) Catherine Fisher - "Incarceron" (442pgs)

(2,331pgs total)

November

34.) David Young/Keith Hollaman - "Magical Realist Fiction: An Anthology" (519pgs)
35.) Haruki Murakami - "After the Quake" (147pgs)
36.) Haruki Murakami - "The Elephant Vanishes" (327pgs)
37.) Miyuki Miyabe - "Brave Story" (816pgs)
38.) David Young/Keith Hollaman - "Magical Realist Fiction: An Anthology" (528pgs)

(2,337pgs total)


December

39.) Matt Bell - "Cataclysm Baby" (105pgs)

(105pgs total)


Total Pages: 11,732



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Friday, April 10, 2015

Update on 2015 Publications

The year has started off pretty well for me, writing-wise. I've got a few publications that have already come out (links below) and a few others that will be forthcoming. A couple will be online, but mostly I believe you'll have to purchase the majority of them directly from the magazine's site itself.



"The Machinery of the Heart" 
in Issue 13 of L'Allures des Mots

First off, the issue is flat out gorgeous. That they took the first piece (also, the title piece) of my newest collection of stories is pretty great. I was really happy with the finished product, both in terms of story and the magazine itself. The story is about a tinkering father on his deathbed and the way he toils over creating a gift for his son that he hopes will make up for the time the son never got to enjoy with his mother in life. 







"Saudades & Ossuaries"
in Slice Magazine, Issue #16: The Resistance Issue

It took me awhile to place this particular piece, but I'm glad it ended up in such a great magazine. That it has a wide circulation is also pretty great. The piece itself is a kind of war story, set many years into the future (and yet feeling very much in the now) and centered around the civil war-like struggle of a country battling itself to see who can be the most depraved in an effort to rule over all. 






"Evans Barlte and the Inspiration"
in Meat For Tea: The Valley Review, Issue 8

This piece germinated from an idea I'd been sitting on for YEARS. Just a weird moment, a line, that finally decided to sprout wings and fly. Evans Barlte, an artist, creates a way for patrons of the arts to consume art in a way that lets them actually feel the entire process of creating a work. From the inspiration stage to the actual painting/sculpting stage, he wows an entire crowd of people at his latest exhibit. I haven't seen the actual copy of this issue yet, but I'm anxious to dig into it once I get back to Kansas City. 





Upcoming Publications: 

"Leonard & Marj"
in Serving House Journal
(http://www.servinghousejournal.com/)

This piece is an excerpt from my novel "Impasto." It's a strange little piece meant to convey the fracturing of a relationship through the use of tiny moments in the lives of the characters. Imagine it as a kind of movie montage like in the movies, but in a more literary sense. You get the feel of decades of marriage, the tugs and pulls of each partner, over the course of 10-15 pages as opposed to several hundred.



"The Dinner was Lovely"
in Cahoodaloodaling
(http://cahoodaloodaling.com/)

Believe it or not, this was one of my writing samples that helped get me into the University of San Francisco's MFA program. It's been added to, revised, edited, added to again, edited again, so on and so forth. It might be the best example of where I was headed with my particular style of writing before grad school and it definitely goes to some dark places with a little bit of humor. But only a little.


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Monday, October 7, 2013

New Publications & The Value of Prompts

So I've had a couple more pieces published. They aren't nearly as strange as some of the previous ones (and one of them is even shorter than my usual fare), but they're pretty quick reads.



"Puzzle Peace" can be read over at Crack the Spine. It's a digital issue, so you'll have to manually click through the issue to get to it, but it's near the front. You can read that one HERE.



"Sympathetic Magic" has been put up in the "Seven Deadly Sins" issue of Penduline Press's latest publication. You can read it HERE.

My friend Donna Laemmlen also has a piece up in that same issue called "Thank You for Everything," which is a fun piece. It can be read HERE.

*     *     *     *     *



I took a trip to Napa this weekend to stay at my friend Surya and his wife. I find that spending too much time in San Francisco makes me feel claustrophobic, closed in. I feel like a rat simply going through the motions of riding the train into the city, going to work, clocking out at the end of the day, riding the train home, repeat ad nauseum, ad infinitum. There's plenty to do here, don't get me wrong, and it's an incredibly literary city, but I've somehow got this notion that being in San Francisco translates directly to "work" rather than "play."

I took the ferry across the bay (as I tend to do when not roadtripping up there with my friend Carla). One gets pretty fantastic views of Alcatraz and the Golden Gate Bridge when heading north up to Vallejo, the city due south of wine country. I normally get reading or writing done during the hour-long ride, but this time I simply listened to music and tried to ease into relax mode.

I haven't written anything new in months and, for a writer, this isn't a good thing. Not for lack of ideas really, but I've been so busy at my day job that I'm simply exhausted by the time I get home and by the time I find myself relaxed enough from the work day to focus on something, it's time for bed.



This isn't really a conducive schedule or frame of mind for good output. So after a weekend of swimming, literary and political discussions, and fantastic food at the Fremont Diner, we stood outside smoking and chatting. He gave me a single word prompt to get me writing. That word was "factory" and I ended up knowing exactly what I wanted to write about within seconds. Perfectly weird and perfectly sensible (sort of), I wrote a good three pages on my Novel Idea app on the boat ride home. It's a piece I'm hoping to return to this evening as I like its current skeletal structure. It needs fattening up of course (it's only a first draft after all), but I think it'll be a pretty good read when it's done. Here's an excerpt for the curious:



Eight factories exist, each with their own sub-wings based on physiology. This final one, the eighth, creates not only toes, but fingers, noses, ears, thick muscled tongues, strips of eyebrow and scalps of hair or non-hair, eyelids, and the complex eyeball (made by the eldest and most experienced of craftsmen). These are the final touches, the accoutrements that turn the Gepetto Corporation's fully fleshed ideas into partial-flesh realities.



Factory 8 is the last in a long line of factories built to create each separate body part. This one in particular is where the toes are made, built of discarded ligament, "bone" made of firm but pliable rubber, skin made of skin donated from those no longer living, topped with toenails made of blended shale (for strength) and abalone (for shine). 





Having said all this, should any of you readers out there want to toss a word or phrase my way to get some new writing out of me, feel free to leave it/them in the comments.


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Tuesday, August 14, 2012

Scaring the Stars Into Submission - Inspirational Imagery

These are some fantastic images I've found randomly over the years that have been, in part, the inspiration for some of the stories in the "Scaring the Stars Into Submission" collection. Often, there have been no artist names attached to the imagery, so if you or someone you know is the owner/creator of any of the images below, please let me know. I'll either take the image down or make sure that the artist is given full credit for the photo (which I'd prefer to do as I'm very pro-artist in every sense of the word). Bottom line: none of the images are mine, they have simply been the impetuses for the excerpted stories in the blog.



















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Friday, June 15, 2012

Art Imitating Life

I hate the phrase, but it's a truism; it's a valid statement that covers a lot of the art world, whether that be music, visual art, or writing. I was reminded (yet again) that I need to be less solitary, that getting out and doing something outside of the house will only benefit my writing in the long-run, which is true.

I had the pleasure of spending most of May not at home in San Francisco. My youngest sister graduated from the University of Arizona with a Bachelor's in Sociology, the weekend after that my good friend Surya got married to a wonderful woman in El Cerrito, which was followed by another wedding in Los Angeles between my old friend Mel and her beau TJ (whose blog is pretty hilariously entertaining), which was again followed up by another family reception in Los Angeles the next weekend for Surya and his wife Jessette.

I had been struggling with ideas for some of my flash fiction-turned-short stories for this post-apocalyptic short story collection, but as I sat in the crowd watching Mel and Tj getting married, I realized that one of my strengths (and ultimately, a story that was lacking) is a good love story. I don't mean the romanticized "all ends well" kind of story, but just that the story itself encompasses an emotion greater than the characters involved. I'm good with the nuance of the interpersonal, at least on the page.

So while in Los Angeles the weekend after their wedding, I sat in a hotel overlooking the city of Torrance and crafted the first rough draft of what came to be the impromptu wedding vows of two people stuck in a world that was quickly falling into ash and crumble around them. There's potential for this one and I really love the ideas I've got for it. See the vows below:



"Under the rust brown sun
     Feet firm on wilted grass
With lover's hand in mine
     With lover's hand in mine
I sacrifice my solitude
     I promise to protect my love
My body, heart, and mind.
     From the world of things unkind.

In these times of dust and trouble,
     Upon this ground devoid of life
I give you all my cocooning warmth
     I stand to guard you from every harm
And pray this ring remains 'til death
     And with this ring as my promise,
I thee wed with open arms
     I thee wed; my life, my charm."


In other news, I've been re-reading through "Impasto." I removed all the paintings-as-characters sections and decided to see how the actual story between the human characters holds up. I had to ask myself if the paintings were simply a "clever" trope or if they were actually serving the greater good by breaking up the story. After a six month hiatus of not even thinking about the story, coming back to it with a clear mind as a reader and not as the author of it...there are parts that make me cringe. Some of the writing is truly terrible, which is both good and bad. It's good because the story needs work and there are about a thousand ways it can be made better. It's also good that I didn't start sending it out to publishers when I was high on the tail-end of my thesis work and firmly enmeshed in the story. I was too close to it.

But finding out the bad writing is bad because...well, it means there's a ton of work ahead of me. I became bored with some of the writing, which means other readers will too, so it's time to step up my game and make sure all the human character pieces fit. After all, their relationships to each other are the most important part of the novel and if they don't work, it doesn't matter what the art has to say about their lives.




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Thursday, April 26, 2012

From Origin to Finish (A Psuedo Excerpt)

For the few of you that follow this, you know I've been updating some old flash fiction pieces into longer, fuller, more fleshed-out short stories. Here's one such piece of flash fiction from so long ago that I'll be dipping into this weekend (hopefully) and expanding upon.




"This Sky Is Yours, This Sky Is Mine"


She said she wanted a soundtrack to steal horses by, so I ordered the stars to play the harps of angels. Sighs like warm breath on bare skin filled the valley as light plucked across the strings and she asked for rain. I put palm to ground and brought meteors hurtling from the clouds in silver streaks of brilliance and breathless, the flashes illuminating her cheeks in the dark. She shut her eyes and the space rocks dissipated beyond the atmosphere as I reigned in the clouds to sprinkle her baptismally against the backdrop of mesas, cacti and unconcerned tumbleweeds.

She said she wanted to float along the water beneath the tongue of the sun’s warmth and I swam beside her, paddling with one hand and hoisting her just above the waves with the other. Tiny beads of sweat rolled down her bronzing skin and onto my head, mingling with the bitter ocean water splashing against my face. She told me that she imagined the flapping of seagull wings wind-kissing her cheeks. I said I could get us to the other side of the ocean by the reddish-orange of dawn as she smiled, eyes closed and face tilted towards the sun.

She said she wanted to taste the clouds along her lips, so we hiked to the highest peak we could find. The brush underneath crunched and snapped as we climbed, higher and higher into the altitude that wrapped its heavy hands around our lungs and squeezed gently. The fog higher up held the cold close, sticking clothing to warm skin as fingers intertwined for support along the trail. The smell of root and bark, forever freezing, tickled our senses as we came to the precipice at the top while the valley below, smothered in firs and evergreens, seemed a perfect bed after the journey. An unspoken agreement found us leaping into the chasm, devouring cloud after cloud while descending, tasting the elements with every gulp of air; honeyed sunbeams marinated in the first snowfall of winter melted along taste buds and the valley welcomed us like a grandmother’s embrace.

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Tuesday, October 4, 2011

Excerpt #1 from "Rise"

I've already posted the prologue (which should obviously be read first), but here are a few more pages of it in case you're interested.



Pere Lazaro held his fedora and grimaced into the sunlight. The midday air wafted beneath his arm, cooling the sweat that pooled within the faded black fabric covering his armpit. The heat of the prodigal sun had followed him from the other side of the mountains and, while a welcome surprise, the day was thick and muggy the way no one had experienced in some time. A couple weeks of this blistering heat had almost wiped away the memory of the constant rainfall and flooding of the previous two years. The Forever Rains had ripped the countryside apart, creating a river that cleaved valleys and uprooted villages throughout the tropical highlands. The few villages he passed through since leaving Forella seemed more nomadic than he remembered, more savage. What the rains hadn’t swept away, they had inevitably changed.
            But the sun, the glorious sun, was out now and beating down across the landscape for the first time in years. Bugs swarmed around the edge of the river and he had even seen some small game returning to the surrounding forests, which gave him hope. He wiped a hand across his sweaty forehead and put the fedora back on, smiling at the thought of sweating through his shirt. Anxious as he was to find the start of the river, the idea of drying that same shirt out in the summer breeze while he bathed in the valley’s new river was an appealing one. The smile quickly flattened when he remembered his arms. He would need to clean the recent wounds soon or else he risked infection. 
            Two weeks he’d walked in this weather and drank up every humid moment, unsure if it would last. The ground had finally hardened and cracked in places that used to be muddy mush. Birds had returned to their treetop symphonies and nature’s own maracas, the cicadas, sang him into slumber more nights than not. When the ground became dry enough, he slept outside under stars that had been missing for so long. The bag full of clothing slung over his shoulder doubled as his pillow at night. The rain stopped and he hadn’t bothered to ask why – sleeping beneath a bright lover’s moon was enough for him and he was sleeping better now than he had in months.
             A simple cross, small and delicate, hung around his neck, reflecting the sun onto the ground in front of him as he walked. It was the only belonging the people of Forella allowed him to leave with, save for the clothes he wore and the ones thrown over his shoulder. The Good Man had failed them, they said, shouting down his rebuttals. The rain had stolen their homes and their crops and, to some degree, the lives of their elderly and the Good Man still let the rain come. For that, they said, Lazaro had to leave. If the prayers to his gods wouldn’t work, then he couldn’t stay. To prevent him from ever coming back in disguise, they branded him, bubbling up the skin on both arms in symmetrical patterns of intricate and grotesquely beautiful designs whose origins were unknown to him. They were symbols of nothing but blame and fear on the part of the impatient and the unfaithful, as far as he was concerned.
His arms were now wrapped up tight in soiled white swaddling stained from the burns beneath and the dirt from his evening slumbers. The pain was there – a dull ache running from forearm to shoulder, but he was successful in pushing it to the back of his mind now. Pain was temporary but the forgiveness he truly believed in wasn’t coming as easily as he’d hoped.   
He looked ahead up the road and spotted a large tree that, still full of branches and heavy leaves, gave off a giant’s shadow on the ground below. It sat perched mere feet away from the slow moving river and looked like a good place to stop for a few hours. He hobbled up the tough road and then felt the tickling of grass blades through his sandals as he sauntered into the cool shade.
Lazaro recognized the huge leaves on the tree. As the river grew, it became dirty and polluted with highland soil and submerged shanties and smaller villages along the river had used these leaves to catch fresh rainwater outside of their homes while the Forever Rains poured. A few leaves hung proudly, but the ones on this side of the mountain were mostly dry. Some dirty, some dusty, but all of them empty and the river was still too murky to drink from.
            He sat down on the thick grass and removed the sandals, wiggling his toes as he tossed them on the ground beside him. A breeze picked up and almost stole away his hat, but he grabbed it in time and kept it pressed to his head as he unbuttoned the shirt with his free hand. His fingers moved nimbly though his arms did not – removing the shirt took a great deal more effort. Lord, how he ached to be in the cooling waters quickly!
Pere Lazaro slipped off his trousers and stood naked in the shadow of the tree. With fingers clutched around his necklace, he prayed for safety and for the Good Man to watch over both him and his meager belongings. The calm sound of the river beckoned and he closed his eyes as he gave in to the brief, cooling respite from the heat. He sat on the bank of the new river and felt the grass tickle him. The dry blades rustled against his backside as he dipped his legs into the lazy water. He kicked them against the current as if he were a child and began to unwrap the bandages along his arms.
The gauze stuck and frayed against the scarred skin that ran the length of his arms, but still he pulled, careful to unravel with slow hands. Bits of skin and congealed blood stuck to the sweaty, dirty gauze and again he grimaced, anticipating the pain before he felt it. The bandages came spiraling off his limbs until finally his arms embraced the sun’s light. The scars wouldn’t come for awhile, but others would recognize the intricate branding - a tiny circle at the top of the wrist spread out into a complex webbing of long sloping curves that ran the length of his arm. The first time he redressed the wounds, he almost smiled before wrapping them back up in haste. The pattern was quite extraordinary, he had to admit.  
The water put him at ease and he continued to kick his legs over and over, falling into a sundrunk rhythm that made him forget his nakedness. He found himself alone in the aftermath of a drowned world and was strangely content despite finding no water to drink. His lips were cracked and bleeding now. He tried using the river to moisten them, but retched at the taste of the briny fluid and decided to wait until cleaner water appeared.
Another breeze kicked up and goose-pimpled his spine. He leaned back on his hands and felt the silty water flow between his toes. Water was a beautiful substance, he thought, moving wherever it wanted and could be used for anything: scrubbing clothes, anointing a newborn, sating thirst. This river, however, had done great damage everywhere the Pere had been. He had been curious as to its extent, so when the Forellans kicked him out, he headed towards the highlands to find the beginning of this new Eden-snake through the country. Mayhap answers, or mayhap more questions, sat at the end of the road. He was unsure and in no hurry.
He heard the call of birds on the other side of the river and smiled again. It was nice to hear the Good Man’s creatures living out in the open once more. Several sparrows soared overhead and circled each other before perching on a tree beyond his sight. He kicked his legs in the water again, feeling droplets splash up onto his bare thighs. He rummaged inside his satchel - a few nuts and a some nearly rotten berries were all he could find and he nibbled at them. A little now, a little later. The Good Man provides, but sometimes you have to meet Him half-way.
When he was done eating, the Pere laid there and fell into a lazy slumber for awhile. He was awakened by something brushing against his still submerged legs. He pulled himself up into a sitting position and stared down past his knees. He expected the limb of a tree, but was no less surprised to find the limb of an older woman brushing up against him. Her skin was a bruised and mottled slate grey, but her lips were a dark shade of bluish-purple. He couldn’t tell if her teeth had rotted out before or after her death and he recoiled instinctively, steadying himself quickly.
She got caught up on the reeds that lined the river and the Pere scooted over to them. He removed her leg from the flora and gently pushed her further out into the river with his foot. As she floated away in a soft spiral on the river’s surface, he kissed the cross around his neck and watched as she floated down beyond the bend, beyond his vision.
The bodies had taken some getting used to – seeing several at a time float down with the current had not been unusual, but sightings of them had diminished over the last few days. When the rains first came and travelers still passed through Forella, they spoke of a village of people living on top of the ocean – fishermen. He heard that these fishermen had cast nets across the widening river and, instead of catching fish, caught the bluish-white bodies of the deceased. Both the elderly and the young together, floating towards the ocean and caught up in the tangle of arms and legs of others given to the same fate of a river burial. He wondered how many bodies had been baptized and given their last rites by the same water?
The stories held no credence with him – they were too unbelievable, too grotesque to hold any truth, but the first night away from Forella changed his mind. The first bodies he’d seen had been those of children. Distended bellies reflected the moonlight and curled fingers poked up from the water’s surface. Horrified at the sight, he stood there breathless like a perfect statue before weeping on his knees until daylight. The next day gave way to more bodies floating – men, women, elders. Again he wept over their passing and stood on the shore eulogizing them until he could no longer see the bloodless limbs reaching up for the sky as if asking for grace. Now when a new one passed, he stopped to kiss his necklace and prayed for the safe travel of souls to the Good Man.
            He stood up from the embankment and felt a breeze pass over his naked body. He scratched behind his ears as he stood and stretched. It seemed the wind had picked up a bit while he slept and took his hat with it. A nap in the shade had been exactly what he needed, but it was time to move on – time to move further up into the countryside regardless of what it might bring. He re-bandaged his arms carefully, slipped on his clothing, grabbed his satchel and walked. He breathed in the smell of the world around him and moved on from the shade.



 Chino hated chores. His older sister, Marisa, hated them even more, but at least she got to leave the house. He was only ten, but Papa had kept him at home and made him do women’s work. ‘Marisa should be cleaning our clothes,’ he thought on more than one occasion, ‘but at least it doesn’t rain anymore.’ It used to be hard to keep the clothing dry after washing it all, but not now.
It seemed all he ever did was chores. He wanted to go into the forest and play with some of the other boys, boys he hadn’t seen in forever, but Papa always said no. ‘But the sun is out,’ he’d whine, hoping that was enough of a reason for his father.
            “No, Chino,” his mother said, “like this. Push the clothing down along the smooth side. Don’t pull up against the rough side, you’ll ruin them.”
            “If I ruin them, can I go play?” he asked, half serious.
            “Silly boy,” she said smiling at him. “Do your father’s shirts and you can sneak off after, okay? I will take care of your sister’s things.”
            He grinned, nodding furiously, and went back to work.
            He hated the mud. His father’s shirts were covered in dark red spots that seemed to never come out no matter how hard he scrubbed, but Mama always said that was okay. ‘The red clay stains forever, Chino. You could scrub the same shirt every day for a hundred-thousand years and it will never change. The stain is always there.’
            His hands were sore and prune-shriveled, yet still he scrubbed, and scrubbed hard. They were sore like when he helped fix the roof all those times with his father. He hadn’t hated the rain until the last few months. Papa would wake him when it was the deepest black outside and he’d have to go outside and help hold tools for Papa while lightning flashed through the forest. The imagination of a ten year old is vast and he couldn’t remember how many pairs of eyes he thought he saw peering out at him those nights. At least five – no more than twelve.
            “Mama?”
            “Hm?”
            “I want to go to the lake. I want to fish again.”
            His mother said nothing.
            “Mama?”
            “I heard you, Chino. I’m thinking.”
            “You used to let me go.”
            “Mmhm. I did. But you had no chores then. You are becoming a man, so you have responsibilities now.”
            “I mean after my chores are done.”
            “Maybe. But only with your sister.”
            He scowled. “Why does she have to come? She won’t want to fish or catch frogs,” he said. “She’ll just sit there and complain. Can’t I go by myself or with some of the other boys?”
            “Keep scrubbing.”
            And he did, but he missed the lake. He missed Arturo, too. ‘I bet he gets to go to the lake,’ Chino thought, thinking about the friend he had seen only once since the rain stopped. ‘I bet he’s fishing right now.’
            The boys had imagined themselves as great warriors while running through the forest. They hunted imaginary boars with tusks the size of men. They fought over who got to be the Jaguar and who got to be the Rabbit. They had races around the lake and then tried to see who could hold their breath the longest under the water. They collected frogs together and tried to carry all of them home in their shirts-turned-aprons.
They would come home just in time for dinner and sit outside afterwards, hands in their heads and staring up into the sky until their mothers called them in for bedtime. Sometimes they were lucky and their mothers forgot they were sitting outside beneath the star-scattered black, necks aching from looking up for so long. The boys would trade stories in whispers, stories told by their fathers at bedtime, about how the Rabbit and the Jaguar became the Sun and the Moon and how each star was the life of someone long since passed. When the rains finally stopped a few weeks ago, the sky cleared and the dark clouds dissipated. It seemed there were more stars than he remembered.
            Chino went back to scrubbing, disheartened. He looked at the pile of dirty shirts next to the washbasin and knew he wasn’t going to get to do anything today.
            He finished the laundry just before dinner. Sweat sat and marinated on his brow and he wondered if he’d even be able to hold his food with sore hands. He hung the last of his father’s shirts up on the line and emptied the washbasin, turning it over and releasing the soapy water back to the earth. It bubbled and travelled like liquid lightning down the hillside, eventually dribbling into the river below. Tiny snake-rivers poured down the hillside and he watched with glee. Rainbow tinted bubbles formed and floated up into the afternoon air, popping once they couldn’t fly any higher. This was definitely his favorite part of doing laundry.
            “Chino?” he heard his mother ask from behind him.
            “Yes, mama?”
            “Hurry up with your work. Food’s almost ready and your sister should be back soon.”
            “Yes, mama. I’m almost done.” He turned the basin over to let it fully drain and headed inside. The glorious smell of fire and spice wafted through the doorway as he walked inside. He hadn’t eaten since this morning and his stomach growled a reminder. He sat on a blanket near his mother’s cooking area and snuck a piece of bread when she wasn’t looking. He ate in silence while she continued to cook.



The Tinker sat and smoked his pipe, a ratty old brown thing that still held the smell of ancient tobacco within it. He’d chomped the mouthpiece all to hell, but it sat between his lips comfortably. He squinted into the valley and puffed slow. The acrid smoke caught up in wind currents and seemed to blend into the clouds above the far away snow-covered peaks. ‘If this weather keeps up, I might actually get to sell again,’ he thought, turning to look at his cart. He had found a clearing to stop in and unburdened the burrow. The cart was unhitched and propped up on some rocks with the sideboard open. Bottles of every shade filled with liquids and salves and potions lined the mini-shelving. Feathered caps and leatherwork lined the display walls. A sign hung below saying ‘Maik an ofer.’
“Wouldn’t it be nice to get rid of all this junk?” He took a final puff from his pipe and coughed. He turned the pipe upside-down and knocked it against the ground, expelling black ash. He heard the mule bray behind him as he struggled to stand. “Wouldn’t it, Azul? It would certainly lighten your load, no?” The man laughed himself into a coughing fit and made his way over to the cart. He’d have to get clever – the topical cream once sold to cure fevers had gone bad over the last year. Maybe he could tell people it was for getting rid of bruises? That might work. The Possum-Tail Tonic had never sold well, but it never worked. Plenty of toys, trinkets and knick-knacks though. The children always loved his trinkets, broken or not. Hand-carved tops and cloth dollies, some glass marbles with colored swirls inside – the boys had loved those. The tinker told them that each one held the sneeze of a different god and the boys couldn’t buy enough of them.
‘Red for the sneeze from fever, blue for the sneeze from chills,’ he’d told them.
‘Green is from a sneeze in spring and gold for the sneeze from daffodils.’
‘Purple for the sneeze at night, orange for the sneeze at sun’s dawning.’
‘Gray for the sneeze from a rainy day, and black for the sneeze of mourning.’
The girls were harder to convince than the boys, however. They were smarter, but they were also very shy, hiding behind the legs of parents or scampering away when he’d smile and wave them closer. Even at their mother or father’s insistence, the girls would stay out of his reach. The mother was the key there, he’d realized, and sold the item to them while trying to sell the idea to the child.
‘Hello there, would your daughter like a doll of finest cloth?’
‘Oh, of course! If she gets too dirty she can easily be washed.’
‘Or would she like a bouncy ball? An apron like her ma?’
‘Perhaps a better choice would be this shiny necklace on the wall?’
“Bah!” he muttered, swatting his hand at the stuff. “Too much work, eh Azul?” he said as he sidled up to the burro - several spots along the mule’s back were near perfect squares of clotting and scabbing. The game in the forest had thinned out and the burro had been his last resort, but she had gotten used to it for the last few months. No more kicking or snorting from her while he dug the knife into the hide. He cut out a matching square as she stomped a hoof and shook her long snout. He ran his hand along her spine, along her neck and then beneath her mouth, kissing her on the broadside of her nose. “I am genuinely sorry, Azul,” he whispered to her. “I will do my best to make it up to you, this I swear.” Her ear flickered and she stomped a hoof again, nodding like she understood. The tinker knew the idea was silly, but still. He kissed her snout again and gave her a handful of oats. She ate greedily, nearly taking one of his fingers. The tinker laughed. “T’would be fair play, no?”
He hobbled to the fire pit from the night before and struck another fire with his flint. The feel of the mule’s skin in his hand always felt strange like he was devouring a family member. ‘Food is scarce,’ he told her the first time he dug his knife into her rump. ‘I have something that will make it better, dear Azul. I promise.”
After every meal, he would prepare a paste from a small stockpile of herbs and aloe plants and he would slather it on the missing parts of her hide. The old spots had almost grown back completely, but the skin remained hairless. Her hide was pockmarked and looked like a hideous chessboard of sinew and skin. The paste he made smelled terrible, like the smell of a decaying body. He was taken aback at how well it had worked, though he could smell the burro from a good distance now. He tried to find more of the ingredients as he travelled, but as quickly as the rain stopped, the land dried up and the plants had started to wither. It wasn’t even muggy anymore, just hot and dry enough to give one cottonmouth.
The Tinker started a tiny fire and skinned the small piece of hide, careful to remove every bit of hair. He was clumsy the first time and nearly choked on a few strands he had missed in his haste to eat. That particular dinner had come back up quickly. With his left hand, he held the fleshy meat while sliding his knife between the muscle tissue and the hide. He separated them quickly and effortlessly, leaving a beautiful square of red flesh to toss in the skillet. He sprinkled chili powder and sea salt onto the meat as it sizzled over the fire. He waved his hands toward him, deeply inhaling the aroma as he smiled. Azul was gamey and tough to chew on, but delicious when seasoned just right. It had taken the Tinker several times to find the right combination of spices to make Azul’s sacrifice of skin worth eating, but the chili and salt had been a perfect blend – a bit like tougher, spicier rabbit.
            While the meat cooked, the Tinker rummaged in the back of the cart. He plucked a small and ornate box from inside and took it back to the fire. He had acquired the box from an old man in some village further up the coast, a fishing village of some sort. They lived in homes built on stilts, which the Tinker had laughed at before the Forever Rain had drowned the valley. He hadn’t been back to visit them since buying the box.
            It had carved wooden paneling on all 4 sides. An intricate design of thorny vines erupted from an orchid on the back panel. The vines swirled around the flower and then spread out across all the sides, reaching around the entire box before coming to an end at the brass latches on the front. The box had been stained a deep maroon and felt warm in the Tinker’s hands. His body slumped onto the blanket cross-legged and he set the box on the ground in front of him. Nimble fingers unlatched the top and flipped it open – a glass ball lay within, lying comfortably on a bed of dark red satin. He pulled the ball out and began to play with it, rolling it across his fingers and over the top of his hands, letting it move wherever it wished, but constantly keeping it in control. His hands moved like water and the ball floated against his skin easily. This was an old practice his father had taught him years before and served, at this point, only to mesmerize the villagers he sold to.
            He could smell the meat and looked down into the pan as his hands continued to move the ball smoothly across his knuckles and up to his arms. It was browning and begging to be eaten. His stomach rumbled again at the scent of the chili powder and he put the ball back in its resting place. He carried the box back to the cart and placed it beneath a set of juggling scarves and women’s serapes before heading back to the fire.
            The deep orange and red of the evening’s setting sun filtered through the leaves above, dotting the ground in a fire-like display. The Tinker leaned down to the pan, bobbled the mule-meat in his hand and finally blew on it before tossing the tiny morsel into his mouth. He grinned and groaned as a rivulet of juice escaped his lips. It ran down his chin as he stared out into the approaching night. Not nearly as filling as he would’ve liked, but the land would provide at some point. He wiped his mouth with his shirt sleeve and got up to lead Azul down to the river.
            He guided the mule down a treacherous angle before reaching the dirty water. She drank it up greedily as he rinsed his hands and face slowly. He could hear her tongue lapping it up quickly. “You must be thirstier than I thought,” he said, smiling to himself. The mule kept drinking.
            The Tinker scrubbed his face and dried himself off with his shirt. He felt refreshed and ready to turn in and grabbed at the mule’s harness. Azul pulled her snout away from him, almost sending him into the river. “What’s the matter with you?” he asked her. “C’mon…it’s time for us to rest.”
            The mule brayed and pulled her snout away from him again, this time kicking her hind legs into the dirt hard. The Tinker had never seen her act this way before. He gripped her back strap high up on her back and tried to pull her away from the water, but again she fought back. She brought her snout around, nearly clipping the Tinker in the face before snorting and whinnying her protest.
            He ran his hand along her back and up her neck, hoping to calm her. He whispered to her. “Shh. Shh. It’s okay, Azul. It’s just me and you out here. No need to get skittish.” She seemed to be listening and calmed down after several minutes of his petting. He looked down into the water where she had drank and saw a hand. Fingers curled up and out of the surface of the water.
            “You should be used to this by now,” he said to her, chuckling. “This is nothing new.”
            The Tinker’s eyes followed the fingers to the arm, the arm up to the shoulder and the shoulder up to the face of the girl who floated in the water before them. She wasn’t pale or blue like the others he and Azul had seen. Her skin was warm and dark. The Tinker’s mind searched for a word and settled on ‘fresh,’ but that didn’t feel right either. A line of blood slithered down her forehead and pooled up in the water surrounding her ear.
            The Tinker stared at her for a moment longer, confused. Her dark hair spread out in waves along the current as if they slithered on the surface. She was olive-skinned and had lips the color of pomegranate. Her dress clung to every curve and swished around her knees – she reminded him of a dolly he’d sold so many years earlier. The girl wore a single sandal, the other having fallen off during her plummet.
He scrambled around the brush for a stick long enough to reach the girl and bring her to shore. By the time he found one, the girl had gotten stuck along the shoreline and he threw the stick off to the side. The Tinker got down on his knees and began to pull the young girl out of the water, realizing that Azul had known the girl wasn’t the usual floater. He pulled her mostly warm body out of the water and put his fingers to her neck. She still had a pulse, but it was faint.
“No more rest, Azul. We need to find this girl’s family quick as the Rabbit,” he said, half to himself. The girl was no more than fifteen years old and weighed nothing. The Tinker hoisted her up on to the mule’s back, and tied her down so that she wouldn’t fall off. Her legs were on either side of Azul’s back and her torso was strapped to the horse’s neck just for good measure. Her face was turned to the left as if she were nuzzling Azul’s mane.
The Tinker poured dirt on the fire and rushed to cover his wagon in the dark. He ripped full branches down from the trees around the campsite and laid them against the now shuttered contraption. He gathered only the belongings they’d need and led the mule up the path.
“Let’s hope you’re worth something to someone, dear child. I can’t afford to lose my wares,” he muttered into the dark. 

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